Wealth and Elegance 2.0 by Ingrid Bruha, ethical fashion designer
The day I inherited my grandmother’s fur coats–then a symbol of wealth and elegance–I stared at them. I did not want to wear them, nor did I want to throw them away. I had never agreed with the necessary cruelty to produce these coats. But getting rid of them was not an option either: It would have meant killing the animals a second time. So, I ripped them apart; I added the pieces to the bags I was designing; and consciously, I created luxurious totes, pouches and clutches with mostly products that were either recycled or unused leftovers.
I invested into two ideas: to protect our resources and to invest into a circular economy; two ideas that are growing fast across all industries.
The Black and White Photographer at the Deauville American Film Festival Fire-chat with Stéphane Kossmann, Photographer
Stéphane Kossmann could have been an American football player. He was built for it. Yet, he became an artist instead. Tall and almost bold, his looks are unmissable. His true strength is not his physical force, but his unique, sharp eye at people and objects, which he captures through the lenses of his Nikon camera. A selection of his work is currently exhibited in Deauville at the 2019 45th American Film Festival.
Kristen Stewart—the actress who performs the role of Jean Seberg in the eponymous upcoming movie and to whom the Deauville Festival will pay a special tribute, but also Catherine Deneuve—President of the Jury, Robert de Niro, Meryl Streep, Brad Pitt, and of course Michael Douglas—who romanced in Deauville in 1996 his wife Katherine Zeta-Jones—are all among the actors and actresses whose candid looks have been captured by Kossmann.
A Hug to Humanity Fire-chat with Saskia Niño de Rivera, founder of Reinserta in Mexico
Saskia Niño de Rivera was the first of the Vital Voices Gala evening’s honorees to walk back on stage at Washington D.C.’s Kennedy Center Opera on April 24th, 2019.
The Mexican activist went straight to Hillary Clinton, and without hesitation, hugged the former Secretary of State and co-founder of Vital Voices, a global foundation launched in 1997 to support women who advance economic opportunity, increase political and public engagement, end gender-based violence and promote human rights across 180 countries and territories.
A few moments before, the audience saw a video of children playing in Lucha Libre disguises (the famous masked Mexican wrestlers). One them, drawing, is heard wishing: “I want to go to the zoo; when I am big, I want to be a fireman; and when I am really big–yeah–if I am really big, I will be The Hulk.”
A childhood fantasy, indeed, except this child cannot even go to a zoo. This child is one the 700 children born and raised in a Mexican jail.
Tres Abejas for a Nectar Named Happiness: The new Café in Mexico’s Colonia Roma
Just like his brother Rafael Tovar y de Teresa, the former and first ever Mexican minister of Culture who wanted his country to shine through ideas, music, dance and visual arts, the late Guillermo Tovar de Teresa was a man of letters and knowledge.
Until his death in 2013, Guillermo spent his life in various homes of la Colonia Roma in Mexico City, chronicling from his wooden office the life of a city he was enamored with. His latest address of more than two decades was on 52 Valladolid, steps away from Parque Mexico. The writer’s two bedrooms—one for the winter; another one for the summer—have remained as they were at the end of his life, and tucked behind his office, a courtyard still hides a marbled angel. The 119-year old house, filled with Tovar’s collection of more than 10,000 books, paintings and furniture from the 19th century, porcelains from France and a Victorian lush garden, is now part of the Soumaya Museum.
Somewhere inside 52 Valladolid, there are tiny purple-pale blue flowers with a yellow pistil alongside a green ivy. They could be hidden on a painting or an object.
Try to find them or venture pass the tall, heavy door, next to the villa’s entrance on Valladolid. Separating the home in two, a long narrow-path has morphed into a contemporary European-style bar: a place for people to reflect, think, exchange ideas, and perhaps even love.
On June 28th, 2019, dressed in white clothes, Alaa Salahstood on the stage of the 3rd edition of the Women in Africasummit that took place in Marrakesh, Morocco. Next to her was Hafsat Abiola, the Nigerian activist, entrepreneur and President of Women in Africa – the only Panafrican summit for African women in business, entrepreneurship, science, culture, and politics.
“It is not the bullet that kills…” Alaa Salah said in Arabic in front of the 550 delegates.