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Category: ART

Post-Covid Spring Beauty

Posted on May 7, 2022May 8, 2022by JC AgidLeave a comment

POST-COVID SPRING BEAUTY
The More You Look The More You See
A solo exhibition of new work by Judith Seligson on view at Galerie Mourlot through June 26, 2022.

Galerie Mourlot
16 East 79th Street, Suite 21
Between 5th and Madison Avenue

New York City

When I entered Galerie Mourlot on E. 79th Street two days ahead of Judith Seligson’s new solo exhibition, the more I looked around, the more I saw boxes everywhere, each containing either a painting, a pigment print, or a sculpture Seligson, a geometric abstract artist, created during the pandemic. On one wall, John—the installer—was carefully calculating the distance between two frames: on top, a series of photographs of flowers painted over—snapshots of nature blooming and blossoming despite the pandemic, aptly titled “Covid Spring”—and below a selection of bold striped paintings, or intervals paintings, as Seligson described them to me. 

In the center of the room, the artist was busy unpacking and deciding how she wanted the body of work to come together at her second solo exhibition of Galerie Mourlot, a name more associated with the print making for the likes of Picasso and Miro, but which also has a strong contemporary art program. Her daughter—journalist and author Hannah Seligson—was dispensing advice. She became her mother’s unofficial “art agent,” or manager, five years ago. 

Hannah marveled at the exhibition slowly taking shape, the new series of what she describes as “hard-edged, geometric abstract paintings,” in which her mother, Judith, explores “her interest in the interactions of colors, patterns, and space that all push the boundaries of the pictorial plane and create a sense of spatial tension.” “The Washington Post once decided it was ‘reminiscent of Stella and Albers,’” Hannah explained. 

As I found my way to gallery owner Eric Mourlot’s desk by the tall windows overlooking 79th street, to sit down and take my recorder out of my bag, I marveled at the artistic poetry of the pieces. “It is a musical composition, almost a rhythmic movement,” the 72-year-old artist and author who studied with Flora Natapoff, Philip Guston, Leo Manso, and Victor Candell explained to me. Some of the paintings are small, discreet, miniature even, “a feminist statement,” Hanna said, quoting her mother. 

I have always been told people are born artists, so I asked Judith Seligson when she first realized she was an artist and no one else. Before she could utter a word, Hannah interjected: “Mom, tell the story of when you were drawing…”

Continue reading “Post-Covid Spring Beauty”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Fire Chat With
Tagged Albers, Art, COVID19, Eric Mourlot, Flora Natapoff, Galerie Mourlot, Hannah Seligson, Judith Seligson, Leo Manso, Mourlot Editions, Philip Guston, Stella, Victor Candell

The Silent Odessa Symphony

Posted on March 27, 2022March 28, 2022by JC AgidLeave a comment

THE SILENT ODESSA SYMPHONY

Consider a donation to help Ukraine and Ukrainian by making a donation to Razom for Ukraine, a non-for-profit organization led by by Dora Chomiak. Razom provides critical medical supplies as well as tech-enabled emergency response supplies to facilitate the delivery of aid. Meaning “together” in Ukrainian, Razom believes deeply in the enormous potential of dedicated volunteers around the world united by a single goal. To make a donation, click here and hashtag #OdessaPhilharmonicOrchestra (find also this information at the end of the post).

Special thanks to Delphine Schrank for editing this story

Odessa, Ukraine, March 22nd, 2014. A rhythmic beat pulsed from inside the fish market, a strange percussionist melody composed instinctively, on site, and performed by fishmongers scrapping the scales of black sea bass set against the background chatter of myriad overlapping conversations, and the rustle of shopping bags against the coats of men and women shopping for a meal or two. 

It was a typical Saturday morning in a vibrant city, a strategic port and a symbol of European culture and unity. Well, not exactly a typical Saturday. A day earlier, Russia had officially ratified the annexation of the nearby Ukrainian province of Crimea, triggering a shock-wave across the rest of the country and Europe that eventually died out in the torpor of an apathetic world response.

Suddenly, a man armed with a double bass and a band of others carrying violins appeared from different corners of the fish market. Without prelude, one after the next planted themselves in a strategic spot, beside a bronze statue,  behind counters stacked with cans and olive oils, and among the fish stalls. They started softly with notes from Beethoven 9th Symphony. Amid shoppers still more concerned with choosing between fresh tuna, mackerel or herring, all the marine life of the Black Sea, others were instantly mesmerized, pressing in on the musicians. The group of performers swelled, some with no instruments at all. Like the perceptive tentacles of a giant octopus, they fanned out throughout the market. From the back of the room, the American conductor of the Odessa Philharmonic Orchestra Hobart Earle took his cue. He pushed his way through the crowd to a place visible to the now-dozens of musicians, raised his hands and with matchless coordination folded in the choir for Beethoven’s Ode to Joy, the European anthem.

Continue reading “The Silent Odessa Symphony”

Posted in ART, Byline JC Agid, Culture, Fire Chat With, Politics, Ukraine
Tagged Delphine Schrank, Dora Chomiaz, Hobart Earle, Odessa, Philharmonic Odessa Orchestra, RazomforUkraine, Resilience, Ukraine, Volodomyr Zelenskyy, War in Ukraine, Zelenski

The Odessa Tear

Posted on March 6, 2022April 4, 2022by JC AgidLeave a comment

THE ODESSA TEAR
(The original French version was published via National Geographic France and La Règle du Jeu. Click here to read).

The man from Odessa had taken off neither his coat nor his cap, he was carrying his bag on his shoulder and inside was an umbrella, his hands were tucked in his pockets. He was standing next to a piano still covered with a thick purple cloth that protected it from the dust. We could hear a heavy, repetitive, dull sound, a constant background of hammers and flashlights coming from the scaffolding below. The long gallery we were in was plunged into an involuntary gloom. It didn’t matter to the old and mischievous pianist who was playing standing up. At that moment, nothing could disturb him. He too had kept his long black gabardine on. He was impatient and unquenchable. A thirst of flats and sharps, a musical emergency!

I was standing on the opposite side of the piano, carrying on my shoulder a camera, which I barely knew how to operate. The sound was hesitant, and the underexposed image, blurred and distant—on the screen as in time—has remained to this day a testimony of a brief and joyful moment, the crazy promise of a Ukrainian port on the Black Sea, a city of poets and musicians, Odessa, suddenly free of the Soviet bear hug. 

Continue reading “The Odessa Tear”

Posted in ART, Byline JC Agid, Culture, Politics, Ukraine, Uncategorized
Tagged Bernard-Henri Lévy, BHL, Cherkassky, Christa Phelps, Hobart Earle, Kites, ludmila Ginzburg, Odesa, Odessa, Romain Gary, Russia, Shura Cherkassky, Stolyarsky Music School, War in Ukraine

Are You Game?

Posted on January 1, 2022March 7, 2022by JC AgidLeave a comment

ARE YOU GAME?

French Version of this post, click here.
Special thanks to Delphine Schrank for editing this story

They didn’t just  want to give to their favorite foundations. Some New Yorkers wanted to have some fun while doing it, playfully bidding for things both secret or less than significant. In the end, the cost matters less than the price of elegance. 

What about you? Would you take the gamble and surprise a gathering of bow tied, long-dressed revelers, the accoutrement of traditional New York galas whose ‘in-person’ season just wound down with the closing year? How much would you be willing to pay to blindly acquire the contents of an evening clutch or a surprise bag – to promote Franco-American friendship?

It all started with a challenge, “un pari” in French. Un jeu, a game.

Continue reading “Are You Game?”

Posted in ART, Byline JC Agid, Culture, New York, Society
Tagged Adrian Meyer, American Friends of Blerancourt, Black and White Ball, Charlotte Gainsbourg, Contessa Brewer, Dominique Senequier, Eric Mourlot, FIAF, Jay Gottlieb, Judith Pisar, Marc Levy, Marie-Monique Steckel, Pierre-Andre de Chalendar, Plaza Hotel New York, Romain Gary, Susanna Lea, Truman Capote

Art: Never Forget

Posted on September 19, 2021September 22, 2021by JC AgidLeave a comment

Art: Never Forget
English edited by Delphine Schrank

Who could have imagined in March 2001 that when the Taliban gleefully blew up the three giant Buddhas of Bamiyan in Afghanistan, their appalling act of cultural vandalism was just a prelude to the assassination less than six months later of Commander Ahmad Shah Massoud, the country’s iconic resistance leader, and just two days after that, to the attacks of September 11? Silent vigils to the endless vicissitudes of human history, these storied sculptures had survived countless previous attempts to ransack or raid them since their creation sometime between the 4th and the 8th century. 

More recently, Islamic State terrorists, or ISIS, made a central mission of destroying the archaeological sites across Syria and Iraq—art, the collateral victim of anger and stupidity. 

Archaeologists had previously dismembered many of these relics and transported them to major Western museums—art, the collateral victim, or assumed booty, of powerful nations, human vanity, and plunderers too.

Continue reading “Art: Never Forget”

Posted in ART, Byline JC Agid, Covid-19, Culture, New York, Politics, Society
Tagged 58th Carnegie International, 58th Carnegie International and Curator-at-Large at Sculpture Center, 9/11, Armory Show, Bamiyan, Blooming, Camille Corot, Claudia Schmuckli, Corinne Erni, Emile Gallé, Exhibition Blooming, Experience Pommery, Experience#, Fantin Latour, Gauguin, Gustave Navlet, Irina Bokova, Jane Lombard Gallery, JC Agid, Jean-François Fourtou, Jean-François Millet, Jean-Pierre Formica, Keith Tyson, King Ashurnasirpal II, les Glaneuses, Louise Pommery, Mailys Vranken, Michael Rakowitz, Musée d'Orsay, Nathalie Vranken, Parish Art Museum, Paul-François Vranken, Pauline Vranken, Pommery Prize, Room F, Sculpture Center, Sohrab Mohebbi, UNESCO, Virginie Boudoscq, Vranken Pommery America, Vranken-Pommery Monopole

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