Skip to content

Thirty Seven East

A communication and business development agency based in New York City with networks in Brazil, France and Mexico

  • Home
  • About
    • 37EAST
    • JC Agid
    • Memory Lane
  • Women’s Conferences
    • Women’s Forum for the Economy & Society
      • Amazing Women
      • Business Development | Media | 2007 – 2017
      • Brazilian Delegation | 2011
      • Brazil | 2012
      • Brazil | 2013
      • Brazil | 2014
      • CEO Champions
      • Myanmar 2013 | 2014
      • New York
      • Mexican Delegation | 2014
      • Mexico | 2016
      • Mexico | 2017
      • Seven | 2008
    • Women in Africa Summit 2019
    • Women in Africa Summit 2020
  • Culture
    • American Friends of
    • Art and Culture | Gallery
  • Hospitality, Travel and Wellbeing
    • AIR FRANCE | KLM
    • L’Avion | Openskies
    • Hotel Plaza Athénée New York
    • Valmont
  • News
  • Marion Naufal Illustrations
  • Blog
  • Testimonials
  • Contact

Category: ART

When Art Meets Wine, Champagne Loves It

Posted on December 21, 2022December 24, 2022by JC AgidLeave a comment

When art meets wine, champagne loves it
(Post based on a conversation held at the Payne Whitney Mansion in New York City on October 26th, 2022 during a fund-raiser dinner presented by the American Friends of La Cité du Vin).

In 1973, Château Mouton Rothschild paid tribute to Pablo Picasso, who passed away on April 8th of that year, by decorating the Premier Cru Classé with an Atelier Mourlot printed label reproduction of the 1959 master’s painting, Bacchanale.  A century before, in 1874, Louise Pommery created the first brut champagne and became famous for patronizing art and artists.

To celebrate the symbiotic relationship between art and wine, which was highlighted in the 2022 Cité du Vin exhibition ‘Picasso, the Effervescence of Shapes,’ the American Friends of the Cité du Vin invited Maïlys Vranken, President of Vranken Pommery America, and Éric Mourlot for an exclusive conversation. “There are serious dinners in New York,” said the co-host of the evening, France’s Cultural counselor in the United States and director of Villa Albertine Gaëtan Bruel, “and there are joyous ones; this one is a mix of both.”

So, while tasting a vertical of Pommery Champagne, including a Blanc de Blancs Apanage and a Cuvée Louise 2005 paired with a dinner prepared by Tastings NYC-SoFlo and Alain Ducasse veteran chef Laetitia Rouabah, Maïlys Vranken and Eric Mourlot told the tales of their artisanal companies’ own relationships with art and artists.

Continue reading “When Art Meets Wine, Champagne Loves It”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Uncategorized
Tagged Alain Ducasse, Alexandra Morris, American Friends of the Cite du Vin, Cite du Vin, David Wolf, Emile Gallé, Eric Mourlot, Fernand Mourlot, Gaëtan Bruel, Gustave Navlet, JC Agid, Jean-Christian Agid, Laetitia Rouabah, Mail, Mourlot Editions, Mouton Rothschild, Mouton Rotschild, Picasso, Pommery, Pommery Prize, Reynier LReynier Leyva Novo, Tastings NYC-SOFLO, Vranken, Vranken Pommery, Vranken Pommery America

REVELATIONS

Posted on August 22, 2022September 24, 2022by JC AgidLeave a comment

Revelations (in French: here)
New York Exhibition of paintings and sculptures by Jean-Pierre Formica

The face’s wrinkles of painter and sculptor Jean-Pierre Formica, his eyes too, the iconic choice of words and his unexpected way of linking them together let a colorful and poetic universe surface. A desire to make the invisible visible. If his artworks were argentic photographs, Jean-Pierre Formica would be the developer, the essential chemical agent that converts the latent image into one that the eye can see.

Also inscribed on Formica’s face is the force of Camargue’s salty sun, the insatiable curiosity of a man driven by uncertainty, an almost detached look, perhaps surprised by the interest his work arouses, and a polite recognition.

A selection of Jean-Pierre Formica’s artworks will, at last, be on view in New York from September 6 to 30, 2022. Titled ‘Revelations,’ this exhibition juxtaposes recent paintings and sculptures whose teared papers for the former and accumulations for the latter give “form to the formless.”

They “reveal” to paraphrase the artist.

Continue reading “REVELATIONS”

Posted in Architecture, ART, Byline JC Agid, Culture, Fire Chat With, New York
Tagged Formica, Franck Laverdin, Jean-Pierre Formica, Laverdin Fine Arts, Revelations

Révélations

Posted on August 16, 2022September 24, 2022by JC Agid1 Comment

Révélations, Entretien avec l’artiste Jean-Pierre Formica

Les plissures du visage du peintre et sculpteur Jean-Pierre Formica, ses yeux aussi, le choix méticuleux des mots et sa façon inattendue de les lier ensemble laissent apparaître à la surface un univers coloré et poétique, une volonté de rendre visible l’invisible. Si cette œuvre était une photographie argentique, Jean-Pierre Formica en serait le révélateur, l’agent essentiel qui permet à l’image d’apparaître et se figer sur le papier.

Il y a aussi inscrit sur le visage de Formica la force du soleil salé de la Camargue, la curiosité insatiable d’un homme mû par l’incertitude, un regard presque détaché, surpris peut-être de l’intérêt que son œuvre suscite, sa reconnaissance polie.

Une sélection des œuvres de Jean-Pierre Formica sera visible à New York du 6 au 30 septembre 2022. Cette exposition, « Révélations », juxtapose des peintures et sculptures récentes dont les déchirures pour les premières et les accumulations pour les secondes donnent « forme à l’informe ». Elles « révèlent » pour reprendre l’expression de l’artiste.

Continue reading “Révélations”

Posted in Architecture, ART, Byline JC Agid, Culture, Fire Chat With, New York, Uncategorized
Tagged Aigues-Mortes, Arles, Boccara Gallery, Charging Bull, Christian Lacroix, Experience Pommery, Franck Laverdin, Jean-Pierre Formica, Laverdin Fine Arts, Nathalie Vranken, New York, Paul-François Vranken, Peintre, Révélations, Sculpteur

Art Could be a Sustainable Luxury (but it Has a Long Way to Go)

Posted on July 6, 2022July 10, 2022by JC AgidLeave a comment

Art Could be Sustainable Luxury, but it Has a Long Way to Go.
Artist Betsabeé Romero honored at LuxuryLab 2022
Exhibition at Museo de la Ciudad de Mexico on view until end of August
(text edited by Delphine Schrank)

As I walked through Cuando el tiempo se rompió (When Time Broke), the latest exhibition by Mexican artist Betsabeé Romero at the Museo de la Ciudad de Mexico, I was struck by the juxtaposition of her most recent works. It suddenly made sense. It was all coming together. The artistic interpretation of movement, migrants, and mirrors. The artist was there, it was a Monday in June, and the museum was closed to the public.

I have marveled at Betsabeé’s work so often in the past. The first time was eight years ago, wandering the streets of the Condesa district. Betsabeé had transformed a car into a playful permanent installation, a human-size toy, really, and planted it on the doorsteps of the hotel Condesa DF. To the left of the white and burgundy car, passersby will find a large silver key. Turn it, and the car will suddenly play a rendering of Agustin Lara‘s Veracruz song.

Continue reading “Art Could be a Sustainable Luxury (but it Has a Long Way to Go)”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Gender Issues, Mexico, Mexico City, Mujeres
Tagged abelardo marcondes, Agnes Martin, Agustin Lara, ArtNet, Betsabeé Romero, Betsabee Romero, Carmen Caitan Rojo, Carmen Herrera, Circulo Mexicano, Dubai's World Expo, Ellsworth kelly, Eric Mourlot, Frida Kahlo, Georgia O'Keefe, Grupo Habita, Jenny Viditz-Ward, Josef Albers, Judith Lauand, Julián Zugazagoitia, Kandisky, Le Retour des Soleils, Louise Bourgeois, Luisa Serna, Luxury Lab, LuxuryLab, Matisse, Mourlot Editions, Museo de la Ciudad de Mexico, Museo Nacional de Arte, Picasso, Rafael Micha, Sartre, Simone de Beauvoir, Yayoi Kusama

Post-Covid Spring Beauty

Posted on May 7, 2022July 7, 2022by JC AgidLeave a comment

POST-COVID SPRING BEAUTY
The More You Look The More You See
A solo exhibition of new work by Judith Seligson on view at Galerie Mourlot through June 26, 2022.

Galerie Mourlot
16 East 79th Street, Suite 21
Between 5th and Madison Avenue

New York City

When I entered Galerie Mourlot on E. 79th Street two days ahead of Judith Seligson’s new solo exhibition, the more I looked around, the more I saw boxes everywhere, each containing either a painting, a pigment print, or a sculpture Seligson, a geometric abstract artist, created during the pandemic. On one wall, John—the installer—was carefully calculating the distance between two frames: on top, a series of photographs of flowers painted over—snapshots of nature blooming and blossoming despite the pandemic, aptly titled “Covid Spring”—and below a selection of bold striped paintings, or intervals paintings, as Seligson described them to me. 

In the center of the room, the artist was busy unpacking and deciding how she wanted the body of work to come together at her second solo exhibition of Galerie Mourlot, a name more associated with the print making for the likes of Picasso and Miro, but which also has a strong contemporary art program. Her daughter—journalist and author Hannah Seligson—was dispensing advice. She became her mother’s unofficial “art agent,” or manager, five years ago. 

Hannah marveled at the exhibition slowly taking shape, the new series of what she describes as “hard-edged, geometric abstract paintings,” in which her mother, Judith, explores “her interest in the interactions of colors, patterns, and space that all push the boundaries of the pictorial plane and create a sense of spatial tension.” “The Washington Post once decided it was ‘reminiscent of Stella and Albers,’” Hannah explained. 

As I found my way to gallery owner Eric Mourlot’s desk by the tall windows overlooking 79th street, to sit down and take my recorder out of my bag, I marveled at the artistic poetry of the pieces. “It is a musical composition, almost a rhythmic movement,” the 72-year-old artist and author who studied with Flora Natapoff, Philip Guston, Leo Manso, and Victor Candell explained to me. Some of the paintings are small, discreet, miniature even, “a feminist statement,” Hanna said, quoting her mother. 

I have always been told people are born artists, so I asked Judith Seligson when she first realized she was an artist and no one else. Before she could utter a word, Hannah interjected: “Mom, tell the story of when you were drawing…”

Continue reading “Post-Covid Spring Beauty”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Fire Chat With
Tagged Albers, Art, COVID19, Eric Mourlot, Flora Natapoff, Galerie Mourlot, Hannah Seligson, Judith Seligson, Leo Manso, Mourlot Editions, Philip Guston, Stella, Victor Candell

Posts navigation

Older posts

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

2023 Thirty Seven East
  • Home
  • About
  • Women’s Conferences
  • Culture
  • Hospitality, Travel and Wellbeing
  • News
  • Marion Naufal Illustrations
  • Blog
  • Testimonials
  • Contact
  • Facebook
  • LinkedIn
  • Twitter
  • Instagram
  • Youtube
Thirty Seven East
Proudly powered by WordPress Theme: Venture.
 

Loading Comments...