Byline JC Agid – Thirty Seven East

Biased? Certainly. But Working on It

March 7, 2023March 7, 2023by JC AgidLeave a comment

Biased? Certainly. But I’m Working on It
A conversation with Dr. Violetta Zujovic, Neuroscientist at the Paris Brain Institute

Talk at FIAF and meeting with Violetta Zujovic and Alyse Nelson
New York | March 15th | Decoding Gender Bias | Register Here

Everything that follows in this post is biased.

I would like to write you the opposite, to reassure you, even to convince you of the authenticity of my words. But in the interests of sincerest dishonesty, and according to Violetta Zujovic, a doctor in neuroscience and team leader at the Paris Brain Institute, I am biased.

I might as well accept it. Besides, I am not the only one. “We all are,” Violetta explains.

“Everything around us is a reproduction that our brain creates to simplify our lives,” Violetta tells me. “Our brain spends its time storing information and sometimes reconstructing a reality that is sometimes an illusion.”

By simplifying, taking shortcuts, analyzing, and judging the other as quickly as possible, our conclusions are not based on the reality of a person or a situation. Instead they are the result of a narrowed perception influenced by our experiences, our culture, and our education.

I believe that I should also share here the motivation and context of this paper.

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Listen to the Women and Girls of Iran

January 1, 2023January 13, 2023by JC AgidLeave a comment

Listen to the Women and Girls of Iran

It was gigantic and staring at me. Everyone around seemed as mesmerized by it as I was: an eye, wide open. It was staring at the sky, too, and it covered most of the steps of Franklin D. Roosevelt Four Freedoms Park at the far end of the oblong Roosevelt Island on the East River, an unlikely urban cable car stop away from Manhattan. In the background, lurking in the shadows, stood the 39-story United Nations building, proud and self-confident.

In that park, at the bottom of the steps that morning of November 28, 2022, every spoken word and every single stare were targeted at the United Nations, at the United Nations and Iran.

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When Art Meets Wine, Champagne Loves It

December 21, 2022December 24, 2022by JC AgidLeave a comment

When art meets wine, champagne loves it
(Post based on a conversation held at the Payne Whitney Mansion in New York City on October 26^th, 2022 during a fund-raiser dinner presented by the American Friends of La Cité du Vin).

In 1973, Château Mouton Rothschild paid tribute to Pablo Picasso, who passed away on April 8^th of that year, by decorating the Premier Cru Classé with an Atelier Mourlot printed label reproduction of the 1959 master’s painting, Bacchanale. A century before, in 1874, Louise Pommery created the first brut champagne and became famous for patronizing art and artists.

To celebrate the symbiotic relationship between art and wine, which was highlighted in the 2022 Cité du Vin exhibition ‘Picasso, the Effervescence of Shapes,’ the American Friends of the Cité du Vin invited Maïlys Vranken, President of Vranken Pommery America, and Éric Mourlot for an exclusive conversation. “There are serious dinners in New York,” said the co-host of the evening, France’s Cultural counselor in the United States and director of Villa Albertine Gaëtan Bruel, “and there are joyous ones; this one is a mix of both.”

So, while tasting a vertical of Pommery Champagne, including a Blanc de Blancs Apanage and a Cuvée Louise 2005 paired with a dinner prepared by Tastings NYC-SoFlo and Alain Ducasse veteran chef Laetitia Rouabah, Maïlys Vranken and Eric Mourlot told the tales of their artisanal companies’ own relationships with art and artists.

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REVELATIONS

August 22, 2022September 24, 2022by JC AgidLeave a comment

Revelations (in French: here)
New York Exhibition of paintings and sculptures by Jean-Pierre Formica

The face’s wrinkles of painter and sculptor Jean-Pierre Formica, his eyes too, the iconic choice of words and his unexpected way of linking them together let a colorful and poetic universe surface. A desire to make the invisible visible. If his artworks were argentic photographs, Jean-Pierre Formica would be the developer, the essential chemical agent that converts the latent image into one that the eye can see.

Also inscribed on Formica’s face is the force of Camargue’s salty sun, the insatiable curiosity of a man driven by uncertainty, an almost detached look, perhaps surprised by the interest his work arouses, and a polite recognition.

A selection of Jean-Pierre Formica’s artworks will, at last, be on view in New York from September 6 to 30, 2022. Titled ‘Revelations,’ this exhibition juxtaposes recent paintings and sculptures whose teared papers for the former and accumulations for the latter give “form to the formless.”

They “reveal” to paraphrase the artist.

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Révélations

August 16, 2022September 24, 2022by JC Agid1 Comment

Révélations, Entretien avec l’artiste Jean-Pierre Formica

Les plissures du visage du peintre et sculpteur Jean-Pierre Formica, ses yeux aussi, le choix méticuleux des mots et sa façon inattendue de les lier ensemble laissent apparaître à la surface un univers coloré et poétique, une volonté de rendre visible l’invisible. Si cette œuvre était une photographie argentique, Jean-Pierre Formica en serait le révélateur, l’agent essentiel qui permet à l’image d’apparaître et se figer sur le papier.

Il y a aussi inscrit sur le visage de Formica la force du soleil salé de la Camargue, la curiosité insatiable d’un homme mû par l’incertitude, un regard presque détaché, surpris peut-être de l’intérêt que son œuvre suscite, sa reconnaissance polie.

Une sélection des œuvres de Jean-Pierre Formica sera visible à New York du 6 au 30 septembre 2022. Cette exposition, « Révélations », juxtapose des peintures et sculptures récentes dont les déchirures pour les premières et les accumulations pour les secondes donnent « forme à l’informe ». Elles « révèlent » pour reprendre l’expression de l’artiste.

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