Tres Abejas for a Nectar Named Happiness: The new Café in Mexico’s Colonia Roma
Just like his brother Rafael Tovar y de Teresa, the former and first ever Mexican minister of Culture who wanted his country to shine through ideas, music, dance and visual arts, the late Guillermo Tovar de Teresa was a man of letters and knowledge.
Until his death in 2013, Guillermo spent his life in various homes of la Colonia Roma in Mexico City, chronicling from his wooden office the life of a city he was enamored with. His latest address of more than two decades was on 52 Valladolid, steps away from Parque Mexico. The writer’s two bedrooms—one for the winter; another one for the summer—have remained as they were at the end of his life, and tucked behind his office, a courtyard still hides a marbled angel. The 119-year old house, filled with Tovar’s collection of more than 10,000 books, paintings and furniture from the 19th century, porcelains from France and a Victorian lush garden, is now part of the Soumaya Museum.
Somewhere inside 52 Valladolid, there are tiny purple-pale blue flowers with a yellow pistil alongside a green ivy. They could be hidden on a painting or an object.
Try to find them or venture pass the tall, heavy door, next to the villa’s entrance on Valladolid. Separating the home in two, a long narrow-path has morphed into a contemporary European-style bar: a place for people to reflect, think, exchange ideas, and perhaps even love.
Its name is Tres Abejas (three bees).
About courage and women | The Story of Rita Wilson’s mother
Rita Wilson’s acceptance speech at the Anne Morgan Women of Courage Award
American Friends of Blérancourt – New York, November 9, 2018
“We are lucky to live in a world where we’re surrounded by women of courage,” the actress, producer, singer and songwriter Rita Wilson said the evening she was bestowed with the Anne Morgan Women of Courage Award by the American Friends of Blérancourt. “At the time when we celebrate the centennial of the end of World War I, we wanted to honor and recognize women of exceptional talent and commitment to empowerment of women throughout the world,” explained the President of the American Friends of Blérancourt Countess Dorothea de la Houssaye.
Telling the story of her own mother, the producer of Mamma Mia and My Big Fat Greek Wedding, emphasized the need to tell the stories of women around the world whose actions, just like the ones by Anne Morgan, defined what we can all individually accomplish.
“That’s something Anne Morgan understood well,” explained Wilson. “She spent her extraordinary life on the front lines: as a union organizer in 1910, as a volunteer ambulance driver during World War I, as a philanthropist who stayed and helped France rebuild long after others had left.
But Anne Morgan also believed in the power of telling stories. As one of the first women documentarians, she knew that if you want to solve a problem you have to shine a spotlight on it, and sometimes point a camera at it. And you can’t just tell us about the world you hope to see – you have to show us, in the way that only a work of passion and creativity can.
And then there are the women – millions upon millions of women – whose stories we may never know: mothers who face overwhelming danger to build a better future for their children; girls who risk their lives just to go to school; working women everywhere who break through glass ceilings large and small. The quiet, humble courage that sustains them each day is an inspiration to all of us.”
Here is the story of Rita Wilson’s mother.
A Requiem for a Car
Fire chat with Mexican artist Betsabeé Romero, special guest of Art Paris 2019
A group of bicycles is carrying on their “shoulders a dead body made-of-steel,” moving a car through the large avenues and narrow streets of Paris to its final resting place right in front of Le Grand Palais, next to the Champs Elysées. “A Requiem for a Car,” a Jaguar to be exact, is a symbol of speed, power and wealth. This invitation to slow down a humanity obsessed with haste, consumerism, and individualism is Mexican artist Betsabeé Romero art installation to celebrate the 2019 edition of Art Paris. Romero, whose art has been exhibited throughout the world and is now part of the permanent collections in North and South American as well as European museums, plays here with some of her favorite themes: automobiles and globalization.
A spanish version of this interview with Bétsabée Romero was published online by First Class Life
Last November, I had the pleasure to interview twice Jane Fonda when the French Institute-Alliance Française awarded her the 2018 Trophée des Arts. To celebrate the 2019 International Women’s Day, here is an updated article based on these conversations. The two-time Academy Award winner explained how she made a first name for herself as a young adult in France, thus becoming a major trailblazer.
CELEBRATING FRIDA KAHLO IN NEW YORK
At least until May 12th. First, at the Brooklyn Museum with the exhibition “Frida Kahlo: Appearances Can Be Deceiving.”
But also, through the Mexican painter’s influence on art and fashion with the presentation of artist’s Hormazd Narielwalla’s last series of Frida collages at Art on Paper New York March 7-10.
Finally, throughout a city, which was the first to publicly recognize the art of Frida Kahlo: in New York during the late 1930s where she became a full-fledged artist.