Live on the Web, A Star is Born
A French version of this article was published on Le Petit Journal
It was a first on the stage at the Bastille Opéra in Paris. Not the first performance of Rudolf Nureyev’s La Bayadère. This ballet—the last great creation of the Russian-born choreographer and director of Dance in Paris in the 1980s—has been part of the Paris Opera Ballet repertoire since 1992. Nor the fact that this Bayadère was sold and broadcast live on the internet through the new online platform “L’Opéra Chez Soi.”
No, the great novelty this Sunday 13 December 2020 in Paris was a nomination unlike any other, ultimate and without an audience.
At Your Home Without Me: The Obstacle Race of Olivier Cassegrain
A jockey smoking a pipe on a galloping horse. In a single blue stroke of pencil, Marion Naufal’s watercolor sums up the challenges of a race, a style, a brand—Longchamp—and of the family Cassegrain whose history has been attached to America right from the start.
Comfortably seated on his New York terrace, the grandson of the Longchamp’s founder, Olivier Cassegrain, is meticulously watching over the American destiny of the family business.
While retail sales in Texas are slowly picking up again, the original Madison Avenue boutique is still closed along with all the other luxury brands in Manhattan. In Soho, the Maison Longchamp remains as empty as the Hudson Yards Vessel where, until a few weeks ago, tourists, business travelers and New Yorkers flocked. “The stairs of the Vessel are with those of the Soho boutique the most famous in New York,” says Cassegrain. They are both the work of the same English architect. “I would be quite happy to see more people on these stairs soon,” adds the Vice-President of Longchamp United States with a smile, “at least a little more on those in SoHo than on those of Hudson Yards.” Filling these stairs is just an additional challenge for the man who loves nothing more than overcoming obstacles with a cigar on his lips.
The Art of the Virus with Olivia Tournay Flatto
A moving body, notes in harmony, an emotion, a knowledge, a narrow door toward a new idea, an engine inherent to life, to the mere concept of human beings’ survival, science and art maintain an intimate relationship, two mirrors reflecting each other and focusing on the hope of creation.
A professor at the Massachusetts Institute of Technology (MIT) actually just metamorphosed Covid19 into a musical existence, similar to the work of a composer, an exceptional melody that could help science to better understand the mechanics and weaknesses of this devastating virus.
Art in the service of science, science in the service of art. Olivia Tournay Flatto is no stranger to the crossover between these two fields.
A scientist herself and President of the Pershing Square Foundation, she has developed a fund to support young researchers with bold and new ideas in the fight against cancer. Passionate about ballet, she is a member of the Board of the Friends of the Paris Opera and President in New York of the American Friends of the Paris Opera & Ballet (AFPOB), created 35 years ago in response to Rudolf Nureyev’s request to support a tour in the United States of the ballet company, which he directed.
The halls of the Palais Garnier and the Opéra Bastille are now closed until further notice; laboratories are mostly concentrating their research on a Covid19 vaccine. Yet science and art—brain and heart—remain more than ever the essence of our lives.
Not at Your Home: Let the Flower Bloom with Floral Artist Agnès de Villarson
When spring blooms in Manhattan, tulips flourish at every Park Avenue intersection. Not far towards the West, the pink and white festival of century-old cherry trees attracts tourists and New Yorkers alike in Central Park. Nature always triumphs when Spring offers at its dawn its annual spectacle. For the floral artist Agnès de Villarson, it is the promise of a busy season of New York galas, weddings and boards of directors, all with flower compositions on the tables.
A French version of this interview has been published in Le Petit Journal (click here).