The show is mesmerizing. Once a year, the backdoors of the Palais Garnier stage are opened onto the Foyer de la Danse, a large golden room, framed by columns and presided over by a magnificent chandelier that personifies the spirit of this theater, inaugurated January 5, 1875. The Foyer was then the setting for discreet rendezvous between opera patrons and dancers. It is still used as a daily rehearsal and warm-up room. Intimate and secretive, the space, though sumptuous, is concealed from the public eye. Except for one evening per year: the annual Dance Gala, an exclusive fundraising soirée presented by the Paris Opera and AROP (Association pour le Rayonnement de l’Opéra de Paris).
The Masked-Life of a Maestro in Times of Covid-19
Part Two of a digital conversation with Keri-Lynn Wilson presented by The American Friends of the Paris Opera and Ballet
Access to the full video of the webinar at the bottom of the post.
For a year now, governments—and often doctors—have redesigned how people can live to combat and survive the Covid-19 pandemic. In some regions, entire sectors have sometimes been shut down: travels, restaurants, hotels, and sport arenas, but also bookstores, museums, theaters, concert halls, and opera houses. Culture and art often don’t fall into the lines of the iconic contemporary word: ‘essential.’
Remarkably though, the Paris Opera was opened for a few weeks in the Fall of 2020. Hopes were then high in France that Covid-19 was being contained, yet it came back with a revenge. While rehearsing Carmen for her debut at the Bastille Opera, Maestro Keri-Lynn Wilson experienced it first-hand. Within a minute, rehearsals were halted, and the opera shut down by the French Government. The same happened for movie theaters, museums, bars, and restaurants.
Wilson’s dream of conducting in Paris was postponed. So, she went back to New York and resumed what she had been doing since March 2020: sharing music online and studying new scores. She created a ‘Becoming the Conductor Series,’ on Instagram, launched a YouTube Channel, built her own playlist on Spotify, and shared many videos and recordings on her website.
Letter to Angella Nazarian
On the eve of Visionary Women Summit 2021 – https://www.visionarywomen.com
(Quotes below, unless in italics, are invented, and the attribution to people is purely fictional)
Do you remember the cobblestone streets of Coyoacán in Mexico City, a far cry from the busy double deck jammed highways that drive across the megalopolis? I am sure you remember the first time you pushed the double green doors of the Blue House—Casa Azul, the home of Frida Kahlo. I do, and I have returned there so often.
The Colors of the Day: January 20, 2021
French version available via Le Petit Journal. Click Here
If changing the destiny of a country could be as simple as changing the colors and message of a drawing, then words and political actions would not be necessary.
The Vital Power of Youth and Words: 22-year-old Poetess Amanda Gorman to Perform at Joe Biden’s Inauguration
A Rock, a River, a TreeMaya Angelou, On The Pulse of Morning
Hosts of species long departed
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here