ART TO THE RESCUE OF THE PLANET
(Note: The art installation Be the Drop that Shapes the Wave was presented for the first time during a UN 2023 Water Conference special event hosted by Femsa Foundation – Scroll to the end of the post to watch the making Be the Drop that Shapes the Wave.The play LOVE authored and directed by Alexander Zeldin was performed at the Park Armory in New York in from in February and March 2023.)
Somewhere among the routine schedule of meetings, the policy papers, and tightly scripted speeches of besuited officials gathering at the 2023 UN Conference on Water, one presentation stands apart.
A vast dynamic piece of art proposes raising awareness about the urgent water situation in Latin America. Composed of 8,000 ceramic beads, each representing a drop of water, it is the imagined work of New York-based artist Inma Barrero and more than 100 entrepreneurs, leaders of corporations and governmental agencies, artists, activists, and children.
Its name is inspiring: Be the Drop that Shapes the Wave. Its reason for being, however, is frightening.
Over 2 billion people worldwide cannot access safe drinking water or sanitation. During the pandemic, many could not even wash their hands. Until and unless decision-makers act on the critical need to make safe water available for all, the situation will only worsen as the global population grows exponentially. This United Nations meeting in New York City was long overdue.
In Latin America alone, the water shortage affects seven out of ten people, according to the local not-for-profit Lazos de Agua program. That represents 160 million people—that is the populations of Argentina, Colombia, Venezuela, and Peru combined!
To face this challenge, an artwork co-created by a well-known artist and dozens of people spread out in 15 countries, including children from public schools in Manhattan and the Lycée Français de New York, might seem, at best, decorative.
Or is it?
Category: New York
Biased? Certainly. But Working on It
Biased? Certainly. But I’m Working on It
A conversation with Dr. Violetta Zujovic, Neuroscientist at the Paris Brain Institute
Talk at FIAF and meeting with Violetta Zujovic and Alyse Nelson
New York | March 15th | Decoding Gender Bias | Register Here
Everything that follows in this post is biased.
I would like to write you the opposite, to reassure you, even to convince you of the authenticity of my words. But in the interests of sincerest dishonesty, and according to Violetta Zujovic, a doctor in neuroscience and team leader at the Paris Brain Institute, I am biased.
I might as well accept it. Besides, I am not the only one. “We all are,” Violetta explains.
“Everything around us is a reproduction that our brain creates to simplify our lives,” Violetta tells me. “Our brain spends its time storing information and sometimes reconstructing a reality that is sometimes an illusion.”
By simplifying, taking shortcuts, analyzing, and judging the other as quickly as possible, our conclusions are not based on the reality of a person or a situation. Instead they are the result of a narrowed perception influenced by our experiences, our culture, and our education.
I believe that I should also share here the motivation and context of this paper.
Listen to the Women and Girls of Iran
Listen to the Women and Girls of Iran
It was gigantic and staring at me. Everyone around seemed as mesmerized by it as I was: an eye, wide open. It was staring at the sky, too, and it covered most of the steps of Franklin D. Roosevelt Four Freedoms Park at the far end of the oblong Roosevelt Island on the East River, an unlikely urban cable car stop away from Manhattan. In the background, lurking in the shadows, stood the 39-story United Nations building, proud and self-confident.
In that park, at the bottom of the steps that morning of November 28, 2022, every spoken word and every single stare were targeted at the United Nations, at the United Nations and Iran.
REVELATIONS
Revelations (in French: here)
New York Exhibition of paintings and sculptures by Jean-Pierre Formica
The face’s wrinkles of painter and sculptor Jean-Pierre Formica, his eyes too, the iconic choice of words and his unexpected way of linking them together let a colorful and poetic universe surface. A desire to make the invisible visible. If his artworks were argentic photographs, Jean-Pierre Formica would be the developer, the essential chemical agent that converts the latent image into one that the eye can see.
Also inscribed on Formica’s face is the force of Camargue’s salty sun, the insatiable curiosity of a man driven by uncertainty, an almost detached look, perhaps surprised by the interest his work arouses, and a polite recognition.
A selection of Jean-Pierre Formica’s artworks will, at last, be on view in New York from September 6 to 30, 2022. Titled ‘Revelations,’ this exhibition juxtaposes recent paintings and sculptures whose teared papers for the former and accumulations for the latter give “form to the formless.”
They “reveal” to paraphrase the artist.
Révélations
Révélations, Entretien avec l’artiste Jean-Pierre Formica
Les plissures du visage du peintre et sculpteur Jean-Pierre Formica, ses yeux aussi, le choix méticuleux des mots et sa façon inattendue de les lier ensemble laissent apparaître à la surface un univers coloré et poétique, une volonté de rendre visible l’invisible. Si cette œuvre était une photographie argentique, Jean-Pierre Formica en serait le révélateur, l’agent essentiel qui permet à l’image d’apparaître et se figer sur le papier.
Il y a aussi inscrit sur le visage de Formica la force du soleil salé de la Camargue, la curiosité insatiable d’un homme mû par l’incertitude, un regard presque détaché, surpris peut-être de l’intérêt que son œuvre suscite, sa reconnaissance polie.
Une sélection des œuvres de Jean-Pierre Formica sera visible à New York du 6 au 30 septembre 2022. Cette exposition, « Révélations », juxtapose des peintures et sculptures récentes dont les déchirures pour les premières et les accumulations pour les secondes donnent « forme à l’informe ». Elles « révèlent » pour reprendre l’expression de l’artiste.