A Stylish Elevator for an Ethical Bag
As published in First Class Life magazine | Mexico
There is an old elevator in the Chelsea neighborhood of Manhattan, so old that there are no buttons to push, but instead, a cable to maneuver expertly once the primitive steel doors are closed. This is as vintage as it can be: breathing life into memories and ghostly stories alike while eluding a romantic New York, a far cry from the Hudson Yards that recently opened just a few blocks away to the West.
Once inside the third-floor loft, painted in dark and woody colors, a feeling of entering a special world takes the visitor even further. The furniture is a balanced mix between antique tables and lamps found in flea markets and modern sofas and tables. On the right, a small corner office is filled with leather pieces, bouts of fur, African jewelry and a dozen of handbags: clutch, shoulder, tote, crossbody and pouch styles. They are all part of the collection that Ingrid Bruha, a French woman who moved back to the United States with her American husband Sheldon and their three children in 2013, has created for her eponymous and fast-growing brand.
About courage and women | The Story of Rita Wilson’s mother
Rita Wilson’s acceptance speech at the Anne Morgan Women of Courage Award
American Friends of Blérancourt – New York, November 9, 2018
“We are lucky to live in a world where we’re surrounded by women of courage,” the actress, producer, singer and songwriter Rita Wilson said the evening she was bestowed with the Anne Morgan Women of Courage Award by the American Friends of Blérancourt. “At the time when we celebrate the centennial of the end of World War I, we wanted to honor and recognize women of exceptional talent and commitment to empowerment of women throughout the world,” explained the President of the American Friends of Blérancourt Countess Dorothea de la Houssaye.
Telling the story of her own mother, the producer of Mamma Mia and My Big Fat Greek Wedding, emphasized the need to tell the stories of women around the world whose actions, just like the ones by Anne Morgan, defined what we can all individually accomplish.
“That’s something Anne Morgan understood well,” explained Wilson. “She spent her extraordinary life on the front lines: as a union organizer in 1910, as a volunteer ambulance driver during World War I, as a philanthropist who stayed and helped France rebuild long after others had left.
But Anne Morgan also believed in the power of telling stories. As one of the first women documentarians, she knew that if you want to solve a problem you have to shine a spotlight on it, and sometimes point a camera at it. And you can’t just tell us about the world you hope to see – you have to show us, in the way that only a work of passion and creativity can.
And then there are the women – millions upon millions of women – whose stories we may never know: mothers who face overwhelming danger to build a better future for their children; girls who risk their lives just to go to school; working women everywhere who break through glass ceilings large and small. The quiet, humble courage that sustains them each day is an inspiration to all of us.”
Here is the story of Rita Wilson’s mother.
Above the Personal Hurdle, Hoping for a Professional Dream
Fire Chat with Kemi Osukoya, Editor-in-Chief of Africa Bazaar Magazine
Member of the American Delegation to the 2019 Women in Africa Summit
There’s an emotional association when you become in tune with your passion. A feeling of elation and many times emancipated when choosing to follow your dreams come full circle. Kemi Osukoya, the founder of US-based magazine and online media Africa Bazaar, and a former business staff writer at the Wall Street Journal illustrates her evolution as a journalist, stigmas of being an African-American woman, all the while finding solace through a complicated relationship and the turbulence of motherhood.
In African culture, you are to pursue the profession your elders want and for Osukoya, a Nigerian-American, being a journalist was a secret narrative she locked away. Through personal evolution, she overcame adversities meandering her way through a media-driven industry which questioned her merit, abilities, and cultural differences.
Last November, I had the pleasure to interview twice Jane Fonda when the French Institute-Alliance Française awarded her the 2018 Trophée des Arts. To celebrate the 2019 International Women’s Day, here is an updated article based on these conversations. The two-time Academy Award winner explained how she made a first name for herself as a young adult in France, thus becoming a major trailblazer.
CELEBRATING FRIDA KAHLO IN NEW YORK
At least until May 12th. First, at the Brooklyn Museum with the exhibition “Frida Kahlo: Appearances Can Be Deceiving.”
But also, through the Mexican painter’s influence on art and fashion with the presentation of artist’s Hormazd Narielwalla’s last series of Frida collages at Art on Paper New York March 7-10.
Finally, throughout a city, which was the first to publicly recognize the art of Frida Kahlo: in New York during the late 1930s where she became a full-fledged artist.