At Your Home Without Me: The Artistic Mankind of Betsabeé Romero
“Art needs to express itself to safeguard humanity.” These are the words of Betsabeé Romero, a Mexican fixture, sculptor, and a generous, greedy painter who is exhibited around the world. She is a poet and activist too. This humanity—a damaged, confused and self-reflecting humanity—was not prepared to face the brutal consequences of the Covid19 pandemic.
Betsabeé Romero is now listening to the suddenly silent streets of Mexico City, North America’s largest city.
From her little street house in the Villa de Cortés district, the artist is on the lookout for the sadness that invades the world faster than the disease. The absence of funerals. the hidden violence against the women and children in her country. And of course, her own personal fight fight for female artists.
Confined, she writes, draws, and reads, mostly philosophy at the moment. She is thinking about art installations to illustrate the staggered mourning that many people will experience. Incidentally, she has been invited to create and speak on this topic at the Frieze in London this Fall, as well as in Sydney and Rome.
Not at Your Home: Let the Flower Bloom with Floral Artist Agnès de Villarson
When spring blooms in Manhattan, tulips flourish at every Park Avenue intersection. Not far towards the West, the pink and white festival of century-old cherry trees attracts tourists and New Yorkers alike in Central Park. Nature always triumphs when Spring offers at its dawn its annual spectacle. For the floral artist Agnès de Villarson, it is the promise of a busy season of New York galas, weddings and boards of directors, all with flower compositions on the tables.
A French version of this interview has been published in Le Petit Journal (click here).
Tres Abejas for a Nectar Named Happiness: The new Café in Mexico’s Colonia Roma
Just like his brother Rafael Tovar y de Teresa, the former and first ever Mexican minister of Culture who wanted his country to shine through ideas, music, dance and visual arts, the late Guillermo Tovar de Teresa was a man of letters and knowledge.
Until his death in 2013, Guillermo spent his life in various homes of la Colonia Roma in Mexico City, chronicling from his wooden office the life of a city he was enamored with. His latest address of more than two decades was on 52 Valladolid, steps away from Parque Mexico. The writer’s two bedrooms—one for the winter; another one for the summer—have remained as they were at the end of his life, and tucked behind his office, a courtyard still hides a marbled angel. The 119-year old house, filled with Tovar’s collection of more than 10,000 books, paintings and furniture from the 19th century, porcelains from France and a Victorian lush garden, is now part of the Soumaya Museum.
Somewhere inside 52 Valladolid, there are tiny purple-pale blue flowers with a yellow pistil alongside a green ivy. They could be hidden on a painting or an object.
Try to find them or venture pass the tall, heavy door, next to the villa’s entrance on Valladolid. Separating the home in two, a long narrow-path has morphed into a contemporary European-style bar: a place for people to reflect, think, exchange ideas, and perhaps even love.
Its name is Tres Abejas (three bees).
It Is Not The Bullet That Kills
She has been known as Lady Liberty.
On June 28th, 2019, dressed in white clothes, Alaa Salah stood on the stage of the 3rd edition of the Women in Africa summit that took place in Marrakesh, Morocco. Next to her was Hafsat Abiola, the Nigerian activist, entrepreneur and President of Women in Africa – the only Panafrican summit for African women in business, entrepreneurship, science, culture, and politics.
“It is not the bullet that kills…” Alaa Salah said in Arabic in front of the 550 delegates.
Omowale, The Child Has Come Home
Firechat with with Tope Fajingbesi Balogun, author and founder of United for Kids and of She-Eo
Member of the American Delegation to the 2019 Women in Africa Summit
The day Social Entrepreneur and Nigerian-born Tope Fajingbesi met with Presidential hopeful Hillary Clinton, she still thought she would end up working in the White House developing a project she calls Omowale (literally: the child has come home). The former accountant turned author, activist and serial entrepreneur is participating in the 2019 American delegation to the Women in Africa summit in Marrakech (June 27-28), along with former co-host of The View and lawyer Star Jones, Vital Voices President Alyse Nelson, media leader Ann Walker Marchant, Cartier Women’s Initiative Award North America judge and angel investor Birame Sock, Founder of Shea Radiance Funlayo Alabi, filmmaker Felicia Taylor, New York based ethical designer Ingrid Bruha and EBW founder Ingrid Vanderveldt among others (full list of delegates: check out http://www.wia-initiative.com/ and app).