Letter to Angella Nazarian
On the eve of Visionary Women Summit 2021 – https://www.visionarywomen.com
(Quotes below, unless in italics, are invented, and the attribution to people is purely fictional)
Do you remember the cobblestone streets of Coyoacán in Mexico City, a far cry from the busy double deck jammed highways that drive across the megalopolis? I am sure you remember the first time you pushed the double green doors of the Blue House—Casa Azul, the home of Frida Kahlo. I do, and I have returned there so often.
At Your Home Without Me: The Artistic Mankind of Betsabeé Romero
“Art needs to express itself to safeguard humanity.” These are the words of Betsabeé Romero, a Mexican fixture, sculptor, and a generous, greedy painter who is exhibited around the world. She is a poet and activist too. This humanity—a damaged, confused and self-reflecting humanity—was not prepared to face the brutal consequences of the Covid19 pandemic.
Betsabeé Romero is now listening to the suddenly silent streets of Mexico City, North America’s largest city.
From her little street house in the Villa de Cortés district, the artist is on the lookout for the sadness that invades the world faster than the disease. The absence of funerals. the hidden violence against the women and children in her country. And of course, her own personal fight fight for female artists.
Confined, she writes, draws, and reads, mostly philosophy at the moment. She is thinking about art installations to illustrate the staggered mourning that many people will experience. Incidentally, she has been invited to create and speak on this topic at the Frieze in London this Fall, as well as in Sydney and Rome.
A Requiem for a Car
Fire chat with Mexican artist Betsabeé Romero, special guest of Art Paris 2019
A group of bicycles is carrying on their “shoulders a dead body made-of-steel,” moving a car through the large avenues and narrow streets of Paris to its final resting place right in front of Le Grand Palais, next to the Champs Elysées. “A Requiem for a Car,” a Jaguar to be exact, is a symbol of speed, power and wealth. This invitation to slow down a humanity obsessed with haste, consumerism, and individualism is Mexican artist Betsabeé Romero art installation to celebrate the 2019 edition of Art Paris. Romero, whose art has been exhibited throughout the world and is now part of the permanent collections in North and South American as well as European museums, plays here with some of her favorite themes: automobiles and globalization.
A spanish version of this interview with Bétsabée Romero was published online by First Class Life