Letter to Angella Nazarian
On the eve of Visionary Women Summit 2021 – https://www.visionarywomen.com
(Quotes below, unless in italics, are invented, and the attribution to people is purely fictional)
Do you remember the cobblestone streets of Coyoacán in Mexico City, a far cry from the busy double deck jammed highways that drive across the megalopolis? I am sure you remember the first time you pushed the double green doors of the Blue House—Casa Azul, the home of Frida Kahlo. I do, and I have returned there so often.
At Your Home Without Me: The Artistic Mankind of Betsabeé Romero
“Art needs to express itself to safeguard humanity.” These are the words of Betsabeé Romero, a Mexican fixture, sculptor, and a generous, greedy painter who is exhibited around the world. She is a poet and activist too. This humanity—a damaged, confused and self-reflecting humanity—was not prepared to face the brutal consequences of the Covid19 pandemic.
Betsabeé Romero is now listening to the suddenly silent streets of Mexico City, North America’s largest city.
From her little street house in the Villa de Cortés district, the artist is on the lookout for the sadness that invades the world faster than the disease. The absence of funerals. the hidden violence against the women and children in her country. And of course, her own personal fight fight for female artists.
Confined, she writes, draws, and reads, mostly philosophy at the moment. She is thinking about art installations to illustrate the staggered mourning that many people will experience. Incidentally, she has been invited to create and speak on this topic at the Frieze in London this Fall, as well as in Sydney and Rome.
CELEBRATING FRIDA KAHLO IN NEW YORK
At least until May 12th. First, at the Brooklyn Museum with the exhibition “Frida Kahlo: Appearances Can Be Deceiving.”
But also, through the Mexican painter’s influence on art and fashion with the presentation of artist’s Hormazd Narielwalla’s last series of Frida collages at Art on Paper New York March 7-10.
Finally, throughout a city, which was the first to publicly recognize the art of Frida Kahlo: in New York during the late 1930s where she became a full-fledged artist.