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Tag: Experience Pommery

Révélations

Posted on August 16, 2022September 24, 2022by JC Agid1 Comment

Révélations, Entretien avec l’artiste Jean-Pierre Formica

Les plissures du visage du peintre et sculpteur Jean-Pierre Formica, ses yeux aussi, le choix méticuleux des mots et sa façon inattendue de les lier ensemble laissent apparaître à la surface un univers coloré et poétique, une volonté de rendre visible l’invisible. Si cette œuvre était une photographie argentique, Jean-Pierre Formica en serait le révélateur, l’agent essentiel qui permet à l’image d’apparaître et se figer sur le papier.

Il y a aussi inscrit sur le visage de Formica la force du soleil salé de la Camargue, la curiosité insatiable d’un homme mû par l’incertitude, un regard presque détaché, surpris peut-être de l’intérêt que son œuvre suscite, sa reconnaissance polie.

Une sélection des œuvres de Jean-Pierre Formica sera visible à New York du 6 au 30 septembre 2022. Cette exposition, « Révélations », juxtapose des peintures et sculptures récentes dont les déchirures pour les premières et les accumulations pour les secondes donnent « forme à l’informe ». Elles « révèlent » pour reprendre l’expression de l’artiste.

Continue reading “Révélations”

Posted in Architecture, ART, Byline JC Agid, Culture, Fire Chat With, New York, Uncategorized
Tagged Aigues-Mortes, Arles, Boccara Gallery, Charging Bull, Christian Lacroix, Experience Pommery, Franck Laverdin, Jean-Pierre Formica, Laverdin Fine Arts, Nathalie Vranken, New York, Paul-François Vranken, Peintre, Révélations, Sculpteur

Art: Never Forget

Posted on September 19, 2021September 22, 2021by JC AgidLeave a comment

Art: Never Forget
English edited by Delphine Schrank

Who could have imagined in March 2001 that when the Taliban gleefully blew up the three giant Buddhas of Bamiyan in Afghanistan, their appalling act of cultural vandalism was just a prelude to the assassination less than six months later of Commander Ahmad Shah Massoud, the country’s iconic resistance leader, and just two days after that, to the attacks of September 11? Silent vigils to the endless vicissitudes of human history, these storied sculptures had survived countless previous attempts to ransack or raid them since their creation sometime between the 4th and the 8th century. 

More recently, Islamic State terrorists, or ISIS, made a central mission of destroying the archaeological sites across Syria and Iraq—art, the collateral victim of anger and stupidity. 

Archaeologists had previously dismembered many of these relics and transported them to major Western museums—art, the collateral victim, or assumed booty, of powerful nations, human vanity, and plunderers too.

Continue reading “Art: Never Forget”

Posted in ART, Byline JC Agid, Covid-19, Culture, New York, Politics, Society
Tagged 58th Carnegie International, 58th Carnegie International and Curator-at-Large at Sculpture Center, 9/11, Armory Show, Bamiyan, Blooming, Camille Corot, Claudia Schmuckli, Corinne Erni, Emile Gallé, Exhibition Blooming, Experience Pommery, Experience#, Fantin Latour, Gauguin, Gustave Navlet, Irina Bokova, Jane Lombard Gallery, JC Agid, Jean-François Fourtou, Jean-François Millet, Jean-Pierre Formica, Keith Tyson, King Ashurnasirpal II, les Glaneuses, Louise Pommery, Mailys Vranken, Michael Rakowitz, Musée d'Orsay, Nathalie Vranken, Parish Art Museum, Paul-François Vranken, Pauline Vranken, Pommery Prize, Room F, Sculpture Center, Sohrab Mohebbi, UNESCO, Virginie Boudoscq, Vranken Pommery America, Vranken-Pommery Monopole

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