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Tag: Picasso

When Art Meets Wine, Champagne Loves It

Posted on December 21, 2022December 24, 2022by JC AgidLeave a comment

When art meets wine, champagne loves it
(Post based on a conversation held at the Payne Whitney Mansion in New York City on October 26th, 2022 during a fund-raiser dinner presented by the American Friends of La Cité du Vin).

In 1973, Château Mouton Rothschild paid tribute to Pablo Picasso, who passed away on April 8th of that year, by decorating the Premier Cru Classé with an Atelier Mourlot printed label reproduction of the 1959 master’s painting, Bacchanale.  A century before, in 1874, Louise Pommery created the first brut champagne and became famous for patronizing art and artists.

To celebrate the symbiotic relationship between art and wine, which was highlighted in the 2022 Cité du Vin exhibition ‘Picasso, the Effervescence of Shapes,’ the American Friends of the Cité du Vin invited Maïlys Vranken, President of Vranken Pommery America, and Éric Mourlot for an exclusive conversation. “There are serious dinners in New York,” said the co-host of the evening, France’s Cultural counselor in the United States and director of Villa Albertine Gaëtan Bruel, “and there are joyous ones; this one is a mix of both.”

So, while tasting a vertical of Pommery Champagne, including a Blanc de Blancs Apanage and a Cuvée Louise 2005 paired with a dinner prepared by Tastings NYC-SoFlo and Alain Ducasse veteran chef Laetitia Rouabah, Maïlys Vranken and Eric Mourlot told the tales of their artisanal companies’ own relationships with art and artists.

Continue reading “When Art Meets Wine, Champagne Loves It”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Uncategorized
Tagged Alain Ducasse, Alexandra Morris, American Friends of the Cite du Vin, Cite du Vin, David Wolf, Emile Gallé, Eric Mourlot, Fernand Mourlot, Gaëtan Bruel, Gustave Navlet, JC Agid, Jean-Christian Agid, Laetitia Rouabah, Mail, Mourlot Editions, Mouton Rothschild, Mouton Rotschild, Picasso, Pommery, Pommery Prize, Reynier LReynier Leyva Novo, Tastings NYC-SOFLO, Vranken, Vranken Pommery, Vranken Pommery America

Art Could be a Sustainable Luxury (but it Has a Long Way to Go)

Posted on July 6, 2022July 10, 2022by JC AgidLeave a comment

Art Could be Sustainable Luxury, but it Has a Long Way to Go.
Artist Betsabeé Romero honored at LuxuryLab 2022
Exhibition at Museo de la Ciudad de Mexico on view until end of August
(text edited by Delphine Schrank)

As I walked through Cuando el tiempo se rompió (When Time Broke), the latest exhibition by Mexican artist Betsabeé Romero at the Museo de la Ciudad de Mexico, I was struck by the juxtaposition of her most recent works. It suddenly made sense. It was all coming together. The artistic interpretation of movement, migrants, and mirrors. The artist was there, it was a Monday in June, and the museum was closed to the public.

I have marveled at Betsabeé’s work so often in the past. The first time was eight years ago, wandering the streets of the Condesa district. Betsabeé had transformed a car into a playful permanent installation, a human-size toy, really, and planted it on the doorsteps of the hotel Condesa DF. To the left of the white and burgundy car, passersby will find a large silver key. Turn it, and the car will suddenly play a rendering of Agustin Lara‘s Veracruz song.

Continue reading “Art Could be a Sustainable Luxury (but it Has a Long Way to Go)”

Posted in Amazing Women, ART, Byline JC Agid, Culture, Gender Issues, Mexico, Mexico City, Mujeres
Tagged abelardo marcondes, Agnes Martin, Agustin Lara, ArtNet, Betsabeé Romero, Betsabee Romero, Carmen Caitan Rojo, Carmen Herrera, Circulo Mexicano, Dubai's World Expo, Ellsworth kelly, Eric Mourlot, Frida Kahlo, Georgia O'Keefe, Grupo Habita, Jenny Viditz-Ward, Josef Albers, Judith Lauand, Julián Zugazagoitia, Kandisky, Le Retour des Soleils, Louise Bourgeois, Luisa Serna, Luxury Lab, LuxuryLab, Matisse, Mourlot Editions, Museo de la Ciudad de Mexico, Museo Nacional de Arte, Picasso, Rafael Micha, Sartre, Simone de Beauvoir, Yayoi Kusama

Letter to Angella Nazarian

Posted on March 3, 2021March 10, 2021by JC AgidLeave a comment

Letter to Angella Nazarian
On the eve of Visionary Women Summit 2021 – https://www.visionarywomen.com
(Quotes below, unless in italics, are invented, and the attribution to people is purely fictional)

Dear Angella;

Do you remember the cobblestone streets of Coyoacán in Mexico City, a far cry from the busy double deck jammed highways that drive across the megalopolis? I am sure you remember the first time you pushed the double green doors of the Blue House—Casa Azul, the home of Frida Kahlo. I do, and I have returned there so often.

Continue reading “Letter to Angella Nazarian”

Posted in Amazing Women, Byline JC Agid, Culture, Gender Issues, Marion Naufal, Society, Women can have it all, Women Empowerment, Women Entrepreneurs, Women in Africa, Women in Mexico
Tagged Alaa Salah, Alyse Nelson, Amanda Gorman, Angella Nazarian, Aretha Franklin, Assouline, Beijing UN Conference on Women, Betsabee Romero, Biden Administration, casa azul, Casa Estudio, Cheek to Cheek, Christane Amanpour, Condoleeza Rice, condoleezza rice, Creative Couples, Diego rivera, Ella Fitzgerald, Frida Kahlo, Hillary Clinton, Jacqueline Novogratz, Janacek, Janet Yellen, Joe biden, kamala harris, Kandisky, Katalin Kariko, Katie Couric, Leymah Gbowee, Madeleine Albright, Marie Curie, Marie-Agathe Charpagne, marionnillustrations, Martine Assouline, Mary Alice Williams, McKinsey, Melanne Verveer, Miró, Museo Frida Kahlo, Nancy Pelosi, Nickolas Muray, Nobel Peace Prize, Noguchi, O'Keefe, Pat Mitchell, Picasso, Pioneers of the Possible, Tehuana Dress, Tracy K. Smith, Trotzky, Twakkol Karman, Visionary Women, Viva la Vida, Women's Forum, Women's Forum for the Economy and Society, Women's Forum Mexico

At Your Home Without Me: The Artistic Mankind of Betsabeé Romero

Posted on May 11, 2020June 16, 2020by JC Agid1 Comment

At Your Home Without Me: The Artistic Mankind of Betsabeé Romero

“Art needs to express itself to safeguard humanity.” These are the words of Betsabeé Romero, a Mexican fixture, sculptor, and a generous, greedy painter who is exhibited around the world. She is a poet and activist too. This humanity—a damaged, confused and self-reflecting humanity—was not prepared to face the brutal consequences of the Covid19 pandemic.

Betsabeé Romero is now listening to the suddenly silent streets of Mexico City, North America’s largest city.

From her little street house in the Villa de Cortés district, the artist is on the lookout for the sadness that invades the world faster than the disease. The absence of funerals. the hidden violence against the women and children in her country. And of course, her own personal fight fight for female artists. 

Confined, she writes, draws, and reads, mostly philosophy at the moment. She is thinking about art installations to illustrate the staggered mourning that many people will experience. Incidentally, she has been invited to create and speak on this topic at the Frieze in London this Fall, as well as in Sydney and Rome.

Continue reading “At Your Home Without Me: The Artistic Mankind of Betsabeé Romero”

19.4326077-99.133208
Posted in Amazing Women, ART, Byline JC Agid, Covid-19, Culture, Fire Chat With, Gender Issues, Mexico, Mexico City, Mujeres, Not At Home With, Women can have it all, Women in Mexico
Tagged Agustín Lara, Agustín Lara Veracruz, AMLO, André Breton, André Comte-Sponville, Art Paris, Betsabee Romero, Calavera Catrina, casa azul, Catrina, Colonia Condesa, Condesa, Condesa df, Confinement, Conquistadors, Covid-19, COVID19, CSIS, Día de Muertos, Diego rivera, Dora Maar, Elena Reygadas, feminicide, FRIDAKAHLO, Frieze London, Grand Palais, H1N1, infanticide, Jackson Pollock, Jacqueline Lamba, jaracandas, Jose Guadalupe Posada, Jose Posada, Julian Levy, Kandisky, La Condesa, Lardo, Le Louvre, Marcel Duchamp, Marea Verde, Mary Reynolds, Mexico, Mexico City, Miró, Museo Frida Kahlo, Octavio Paz, Parque España, Picasso, Toña La Negra, trajineras, Trotsky, Veracruz, Yves Tanguy, Zocalo

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