It Is Not The Bullet That Kills
She has been known as Lady Liberty.
On June 28th, 2019, dressed in white clothes, Alaa Salah stood on the stage of the 3rd edition of the Women in Africa summit that took place in Marrakesh, Morocco. Next to her was Hafsat Abiola, the Nigerian activist, entrepreneur and President of Women in Africa – the only Panafrican summit for African women in business, entrepreneurship, science, culture, and politics.
“It is not the bullet that kills…” Alaa Salah said in Arabic in front of the 550 delegates.
Addressing the 2019 54 African laureates of #WIA54 ahead of the 3rd Summit of Women in Africa in Marrakesh, Morocco, Women in Africa founder Aude de Thuin and President Hafsat Abiola together drew a candid list of what a woman entrepreneur should always do to succeed.
And you? tell us what you think…
(French version available below the English one)
In Aude and Hafsat’s own words:
Above the Personal Hurdle, Hoping for a Professional Dream
Fire Chat with Kemi Osukoya, Editor-in-Chief of Africa Bazaar Magazine
Member of the American Delegation to the 2019 Women in Africa Summit
There’s an emotional association when you become in tune with your passion. A feeling of elation and many times emancipated when choosing to follow your dreams come full circle. Kemi Osukoya, the founder of US-based magazine and online media Africa Bazaar, and a former business staff writer at the Wall Street Journal illustrates her evolution as a journalist, stigmas of being an African-American woman, all the while finding solace through a complicated relationship and the turbulence of motherhood.
In African culture, you are to pursue the profession your elders want and for Osukoya, a Nigerian-American, being a journalist was a secret narrative she locked away. Through personal evolution, she overcame adversities meandering her way through a media-driven industry which questioned her merit, abilities, and cultural differences.
A Requiem for a Car
Fire chat with Mexican artist Betsabeé Romero, special guest of Art Paris 2019
A group of bicycles is carrying on their “shoulders a dead body made-of-steel,” moving a car through the large avenues and narrow streets of Paris to its final resting place right in front of Le Grand Palais, next to the Champs Elysées. “A Requiem for a Car,” a Jaguar to be exact, is a symbol of speed, power and wealth. This invitation to slow down a humanity obsessed with haste, consumerism, and individualism is Mexican artist Betsabeé Romero art installation to celebrate the 2019 edition of Art Paris. Romero, whose art has been exhibited throughout the world and is now part of the permanent collections in North and South American as well as European museums, plays here with some of her favorite themes: automobiles and globalization.
A spanish version of this interview with Bétsabée Romero was published online by First Class Life
WOMEN CAN HAVE IT ALL | SERIES | THE THREE SINS OF MAYRA GONZALEZ
A manager at Nissan Mexico once told Mayra González that she was very talented and would have a great career in the industry, but “you have three sins,” he added: “You are young; you are a woman; and you are Mexican.”
Fast forward more than 15 years: Mayra González was eventually promoted in 2016 at age 39 to the top job at the Japanese car company’s fourth largest business unit, thus inducted to the very exclusive club of female CEOs, a mere three years after Mary Barra became the first woman appointed CEO at General Motors.