Not at Your Home: The Artistic Mankind of Betsabeé Romero
“Art needs to express itself to safeguard humanity.” These are the words of Betsabeé Romero, a Mexican fixture, sculptor, and a generous, greedy painter who is exhibited around the world. She is a poet and activist too. This humanity—a damaged, confused and self-reflecting humanity—was not prepared to face the brutal consequences of the Covid19 pandemic.
Betsabeé Romero is now listening to the suddenly silent streets of Mexico City, North America’s largest city.
From her little street house in the Villa de Cortés district, the artist is on the lookout for the sadness that invades the world faster than the disease. The absence of funerals. the hidden violence against the women and children in her country. And of course, her own personal fight fight for female artists.
Confined, she writes, draws, and reads, mostly philosophy at the moment. She is thinking about art installations to illustrate the staggered mourning that many people will experience. Incidentally, she has been invited to create and speak on this topic at the Frieze in London this Fall, as well as in Sydney and Rome.
The Art of the Virus with Olivia Tournay Flatto
A moving body, notes in harmony, an emotion, a knowledge, a narrow door toward a new idea, an engine inherent to life, to the mere concept of human beings’ survival, science and art maintain an intimate relationship, two mirrors reflecting each other and focusing on the hope of creation.
A professor at the Massachusetts Institute of Technology (MIT) actually just metamorphosed Covid19 into a musical existence, similar to the work of a composer, an exceptional melody that could help science to better understand the mechanics and weaknesses of this devastating virus.
Art in the service of science, science in the service of art. Olivia Tournay Flatto is no stranger to the crossover between these two fields.
A scientist herself and President of the Pershing Square Foundation, she has developed a fund to support young researchers with bold and new ideas in the fight against cancer. Passionate about ballet, she is a member of the Board of the Friends of the Paris Opera and President in New York of the American Friends of the Paris Opera & Ballet (AFPOB), created 35 years ago in response to Rudolf Nureyev’s request to support a tour in the United States of the ballet company, which he directed.
The halls of the Palais Garnier and the Opéra Bastille are now closed until further notice; laboratories are mostly concentrating their research on a Covid19 vaccine. Yet science and art—brain and heart—remain more than ever the essence of our lives.
Marc Levy Beyond the Walls
There is a small bookstore on the corner of 10th Street in the West Village. In this little shop so reminiscent of the past, old and new books squeeze together on the shelves and give off that special scent of cracked ancient floors and living pages. Just a block away, if you look up, you can see through an open window that belongs to the most widely read French novelist and storyteller in the world.
A conversation with Marc Levy usually takes place over a good lunch on the terrace of Sant Ambroeus café. But Sant Ambroeus is closed now, as is the Three Lives & Company bookshop.
We could have also dined on a dish he would have cooked. But Marc Levy is currently a recluse in his haunt, sitting at his desk, among his books, computer screens and ancient typewriters. Surrounded by his characters, he gathers the letters of the alphabet and creates stories, like the one he just published in Des Mots Par La Fenêtre.
I heart New York all together, just in a different way for the time being.
I have loved New York since the day I first visited the city in the early 1990s. I was in my twenties and as soon as I landed, I met a family that would eventually become my American pillar. I spoke very little English then and did not know I would come back to attend a graduate program in journalism. As did so many before me, I immediately felt enamored with the vibrant, fast-pacing, colorful city and have called it my home since the Fall of 2000.
When 9/11 struck Manhattan a year later, the whole place suddenly came to a halt. Flabbergasted New Yorkers left their offices and their apartments all the same. None panicked. Some started to grieve the loss of a parent, a colleague or a friend; most stared bewildered at what the terrorists had done to their town, a reminder of the attack against Pearl Harbor in the wee hours of December 7, 1941, the only other time when the United States faced war on their own soil.
Bubbles and Bouquets, with a French Flair
A dinner delivered to your home by Alexandra Morris‘ catering company, accompanied by rosé wines and French champagnes imported by Mailys Vranken; a breakfast or a quiche, those found at Michèle Saint Laurent and Aksana Ivaniuk‘s Chez Les Frenchies next door to the Lycée Français of New York; a bouquet of flowers prepared by the floral artist Agnès de Villarson; or cooking the recipes offered by Mirjam Lavabre: not only is it possible, but ordering from these women entrepreneurs is also insuring the existence of their businesses and supporting the creative and collaborative Francophone women’s leadership in New York.
As for so many other small businesses, the year 2020 had started perfectly for the American subsidiary of Vranken-Pommery group and for Tastings, one of New York’s most famous caterers and owner of two restaurants in East Harlem.